My work as a sculptor is driven by a deep belief that art belongs in the everyday spaces where people live, gather, and share their stories. Sculpture, for me, is not only an object but a presence — something that can shape how we experience a place and how we connect within it.
Working primarily with materials such as metal, stone, resin, and wood, I create robust sculptures, contemporary in form, and rooted in cultural meaning. Each project begins with an exploration of the environment and the community it will inhabit. I am interested in how sculpture can respond to the history, identity, and character of a place while also offering something new — a symbol, a landmark, or a point of reflection.
Much of my practice focuses on the public realm because I believe art should be accessible to everyone. When a sculpture is placed in a shared space, it becomes part of the community's daily rhythm. Children pass it on their way to school, families gather near it, and people begin to recognise it as part of their collective environment. Over time, it can become a quiet witness to the community's life.
One of the greatest joys in my practice is seeing a sculpture take its place at the heart of a community. The moment when a work moves from the studio into a public space is powerful — it is no longer just my creation but something that belongs to the people who live with it. When communities embrace a sculpture as a meeting point, a landmark, or a symbol of shared identity, it gives the work its true meaning.
I aim to create sculptures that are visually striking yet deeply connected to their surroundings — works that invite curiosity, encourage conversation, and contribute to a lasting sense of place. Through public art, I hope to create forms that not only enrich the landscape but also celebrate the people and stories that define it.